Abstract
This article introduces the landmark Lacan exhibition now showing at the Pompidou-Metz. Curated by Marie-Laure Bernadec and Bernard Marcadé, and supported by psychoanalysts Paz Corona and Gérard Wajcman. The exhibition stages an encounter between art, on the one hand, and “Lacan”, in the personal, textual and conceptual sense, on the other. The article describes some of what is in the exhibition including some of the theoretical context elaborated in writing associated with the exhibition, and what might go missing. The article also explores some dangers that attend an exhibition that aims to function as homage to Lacan – dangers the curators navigate with verve.
How to Cite:
James, A., (2020) “Lacan, l’exposition. Quand l’art rencontre la psychanalyse”, EJP import test SA.
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