Abstract
The theater and the psychoanalytic clinic are counterposed in a reading of Peter Weiss’s play Marat/Sade, casting Lacanian conceptions of repetition, death drive, and the act as potential forms of revolt against the “society of the spectacle” prefigured by Sade.
Keywords:
- Keyword: Death Drive
- Keyword: Lacan
- Keyword: revolt
- Keyword: Sade
- Keyword: theater
How to Cite:
Davidson, B., (2019) “Revolt! Act II”, The European Journal of Psychoanalysis 6(2), 1–32.
Rights: Incopyright
Downloads
Downloads are not available for this article.